#MELODIC MINOR SCALES GUITAR HOW TO#
#MELODIC MINOR SCALES GUITAR PDF#

An altered dominant chord is essentially a dominant chord with an altered 5th. This is the most standard choice of chord that can be built from the E mixolydian b6 mode. One of the most obvious choices to play this pentatonic scale over would be the dominant 7#5 chord. This lesson will teach you more about extended 7th chords and the theory behind them. The major b6 pentatonic will share some or all of the notes from the chords that can be built from the mixolydian b6 mode. If weвЂ™re using E major b6 pentatonic to write a solo or melody, in its most basic form, we know that this scale will work on chords derived from the E mixolydian b6 mode. Pentatonics of Melodic Minor: Chords, Concepts & Theory We know that E is the fifth degree of A so therefore we are using A melodic minor as our basis or вЂparentвЂ™ key. In this example weвЂ™re using E major b6 pentatonic which is derived from the mixolydian b6 mode. If we know the intervals of melodic minor we can find out which melodic minor parent key (or scale) we are in. In any melodic minor key, the major b6 pentatonic is derived from the mixolydian b6 mode.

#MELODIC MINOR SCALES GUITAR HOW TO#

How to Use The Pentatonics of Melodic Minor: Major b6 Pentatonic Root Position Referencing The Mixolydian b6 Mode Second Position вЂ“ E Major b6 Pentatonic Scale Second Position Referencing The Locrian #2 Mode Third Position вЂ“ E Major b6 Pentatonic Scale Third Position Referencing The Altered Mode Fourth Position вЂ“ E Major b6 Pentatonic Scale Fourth Position Referencing The Lydian Dorian b2 Mode Fifth Position вЂ“ E Major b6 Pentatonic Scale Fifth Position Referencing The Lydian Augmented Mode Each modal referenceВ demonstrates the melodic minor mode that the pentatonics are derived from. One showing the standard Pentatonic shape for 7 string guitar (above) and one showing the the additional notes from the corresponding mode reference.

Root Position вЂ“ E Major b6 Pentatonic Scale Mode ReferencesДЇor each position we have demonstrated two diagrams. The major b6 pentatonic is derived from the mixolydian b6 mode of melodic minor. You could consider each new pentatonic shape a вЂmodeвЂ™ but this is uncommon practice for pentatonics. Since this is a pentatonic scale (meaning 5 notes) there will be 5 different positions and shapes, each starting from the next note of the scale. Here are the five basic two note per string shapes across the neck.

#MELODIC MINOR SCALES GUITAR PDF#

Melodic Minor Scale Chart Click here for a free printable PDF file of this scale.Pentatonics of Melodic Minor: E Major b6 Pentatonic.ДҐ Positions of the Standard Shapes Notes & Interval Formula You might be surprised at what your playing the next day. Listen to people that play Jazz just before you go to bed and let your brain process it during the night. When you can record yourself for yourself and impress not only yourself but others that don't know you, you have arrived. Learn all 5 positions, one at a time with a metronome, speed it up to a acceptable speed and then go on to improvisation with a drum machine. If you want to impress with your prowess and versatility, learn this scale.Д®nough going on about this stuff. So the whole thing on scales is the vibe the feel that you can get from them. You might say, Roy, hey, what can I play to sound sophisticated and hip so I can play with the other cats at the Jazz festival? Melodic Minor.

If you want to sound jazzy this is the scale for you.

Melodic minor scales guitar